First broadcast on 19 January 1967, the Star Trek episode Arena is generally regarded as being one of the most memorable episodes from the Original series. The screenplay was written by Gene L. Coon and officially it is based on a short story of the same name by Fredric Brown, first published in the June 1944 issue of Astounding magazine. Brown receives a story credit at the end of the episode. However it has been claimed that the similarity between the short story and Coon’s screenplay was only noticed after the latter had been written and that Brown was totally unaware of this when he agreed a fee for the use of his work!
In the Star Trek episode, the USS Enterprise goes in pursuit of a Gorn warship which has made a seemingly unprovoked attack on the Federation outpost on Cestus III, but as the chase leads into an unexplored sector of space, both ships are brought to a grinding halt by omnipotent beings calling themselves the Metrons. Kirk is informed that he will be teleported to a life-sustaining planet together with the captain of the Gorn ship. He will have no weapons or means of contacting the Enterprise and he must fight the Gorn to the death. The winner and his ship will be allowed to go free, but the loser will be destroyed, together with his ship. He will be provided with a recording device and the planet will contain the resources needed to make weapons.
Without any further ado, Kirk finds himself facing the Gorn on the hot, arid surface of an unknown planet (actually Vasquez Rocks, California). The Gorn is a huge, reptilian being and it soon becomes clear that Kirk is no match for him. Kirk hurls a rock at the Gorn, who merely hurls a much larger one back. Kirk then rolls a huge boulder on top of the Gorn. This which seems to have done the trick – but the Gorn revives and pushes the boulder aside. Kirk runs, but falling into a snare set for him by the Gorn. He manages to escape, but is injured in the process. By now he is tiring and the Gorn – by means of the recording device which is also a two-way radio – appeals to him to give up and promises to kill him quickly. Kirk also learns that the Cestus III outpost had been set up in Gorn territory, and the attack was made because the Gorn feared it was the precursor to an all-out invasion.
But Kirk then realises that there are indeed enough natural resources on the planet to make a weapon. Using sulphur, coal and saltpetre he makes gunpowder; this he loads into a gun barrel made from a bamboo-like plant together with some extremely large diamonds – “the hardest material in the universe”.
Kirk manages to disable the Gorn with this crude weapon, but he then refuses to kill his enemy. The Metrons are impressed by this “advanced trait” of mercy and allow both ships to go on their way.
Possibly because they weren’t bad guys after all, the Gorn never again made a major appearance in any Star Trek series. But if the Gorn were never seen again, the plot-line to Arena most definitely was.
It appeared in a second-season episode of Space 1999 entitled The Rules of Luton, set on an alien planet called Luton. You are reading this correctly. There really was an episode of Space 1999 set on a planet called Luton, albeit pronounced with the stress on the second syllable.
Plants are the dominant form of life on Luton, and when Koenig and Maya are dropped off by Verdecci in an Eagle spacecraft and begin helping themselves to some tempting-looking berries, the locals aren’t amused. They are ordered to fight a group of three alien trespassers to the death. Maya’s shape-shifting abilities prove to be a two-edged sword. She turns into a lion, startling one alien to the extent that it falls into a river and drowns. A second alien is soon dealt with but after Maya turns into a hawk in order to carry out some aerial reconnaisance, she is captured by the remaining alien and shut up in a birdcage.
She can only hold her form for an hour, at the end of which she will return to human form and be crushed to death. Why she doesn’t simply escape by turning into an insect (as she did in a later episode) isn’t made clear. How Maya can turn into creatures of such varying sizes and of course masses also remains unclear, but as noted in an earlier entry the screen writers of Space 1999 never let the laws of physics get in the way of a good story, much less a crap one like this. Inevitably Koenig rescues Maya and soon has the remaining alien at his mercy, refuses to kill him, and is allowed to go free by the Judges of Luton.
The writers of Blake’s Seven obviously believed they could improve on this lacklustre offering and came up with Duel, a title that at least subtly acknowledges the story’s origin. In this incarnation, the Liberator is recharging its batteries when it is attacked by a battlegroup of Federation pursuit ships, with the villainous Travis and his Mutoid pilot (exclusively female blood-sucking cyborgs that foreshadowed Star Trek’s Seven of Nine) in charge of the lead ship.
With escape impossible, Blake and co have no choice but to fight, but the battle is soon brought to a halt by a bunch of bare-breasted women on a nearby planet, who intend to show the combatants “the meaning of death”. Blake and Jenna are transported to the planet and ordered to fight Travis and his sexy sidekick to the death. The winners will be allowed to go free, the losers’ ship will be destroyed, etc, etc.
Jenna is soon captured and tied up, and the Mutoid, who is feeling a little peckish, begins eying her up as her next meal. But Travis insists on keeping Jenna alive to act as bait for Blake. Needless to say the plan backfires when the Mutoid is forced to snack on local wildlife and finds it disagrees with her. Blake soon rescues Jenna, has Travis at his mercy, refuses to kill him and impresses the bare-breasted women, etc, etc.
That to the best of my knowledge was the last TV adaptation of Frederic Brown’s tale, and it is to this which I now turn.
Carson (who like most SF heroes of that era doesn’t appear to have a first name) is the pilot of a small one-man scout ship on the outskirts of a huge battle fleet that is about engage a fleet of alien vessels. The aliens, known as the Outsiders have been involved with a number of skirmishes with Earth ships and colonies.
All of a sudden Carson finds himself naked in a small enclosed, circular area. His opponent is a red, tentacled sphere about three foot across, which he refers to as a Roller. A voice informs him that the stakes are rather higher than those that will one day be set for Kirk, Koenig and Blake – should he lose the entire human race will be destroyed. The story then develops into a battle between Carson and the Roller, but there is one major difference between Frederic Brown’s short story and all the TV adaptations it inspired.
At the climax of the story, Carson does kill his opponent.
© Christopher Seddon 2008